Eirini's key Methodologies:
- Improv
- Recorded Text
- Writing to generate text
Correlating interests to my project:
- Body
- Conflicting desires
- Social Expectations (confusion and refusal)
- Complying to compulsive female maturnity
- How do I know what I want?
Where Does my Force to Perform Come From?:
- Resistance to social expectations
- Non-desires to what seems to be the norm
- Desire to fall in love with strangers by communicating with them
- Desire to Dance
- Desire to take CONTROL, rather than being the advice-giver, shoulder to cry on all the time - make my problems heard for once
- Beautiful imagery/words in my head/on pages
- My mother
- Evidence that she may be proud of
- Desire to be alone and spill from my own head WITHOUT CENSORSHIP or for the purpose of CARING FOR ANOTHER
- The transcendent no-rule/meaning gap between capitalist labour and leisure time. The other-worldly sense of time in theatre
- Selfish - only time I make time for myself
- CLAIMING POWER
"If anyone tells you not to be selfish - tell them to FUCK OFF" - Eirini 11th January 2018
Workshop:
- FREE WRITING: Use random titles e.g. 'Two Tits Are Singing' and 'Im in Love with Philip' and free write > Take a few sentences > Use the voice as language, cut sentences, loop them, give no meaning to words, extend it, its a song, its a sound, cut syllables > Write transcript for manipulated sentences
- RECORDED VOCAL RESPONSES TO RANDOM PROMPTS
- RECORDED VOCAL RESPONSES TO IMAGES
- STRUCTURE: Use these materials to form structure under random delivery styles:
USEFUL MATERIAL:
Using text as material to produce work. I do not usually speak too much during performance but free-writing has been extremely useful in generating ideas and letting my mind run without censoring it.
Yorumlar